5-5.7inch HDMI Monitor

AndyCine C7 7" Full HD HDMI Ultra-Bright Touchscreen Monitor with 3D LUTs and Waveform VectorScope
AndyCine C7 7" Full HD HDMI Ultra-Bright Touchscreen Monitor with 3D LUTs and Waveform VectorScope

N$4921.09

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For those who don't know, getting an external monitor allows you to record in a lot higher quality than your camera can alone. Cameras are generally built for still shots but are capable of shooting video, these external recorders work through your camera to record high quality videos. The Andycine is light and has awesome brightness so you don't need a hood for the most part. The UI is decent but I really like how they throw in a mount with it.Pros- Great intro monitor- Lightweight- Ultra bright- Good quality recording- Comes with a mountCons- UI takes some time getting used too- Adds weight to your camera setup
This is a really good monitor for people who work outside. I shoot a lot of golf and I can see this monitor very clearly. It shows you what your colors are and is good value for the money. I’d recommend this monitor to anyone.
Use this to film over 100 hours of footage and it still going strong! I can’t speak to durability because I haven’t taken it out in the field (I’ve just used it in my studio) but the resolution, brightness, and features are all as described! Makes it MUCH easier to see what I’m recording.
This is a great monitor if you don't have the money for an Atmos. I filmed outside with no clouds in 85 degree weather at noon and was able to see my client clearly. I haven't loaded any LUTS to it because I have a LUT on the BMPCC4K. Battery life with an NP-F970 can last about 5-8 hours. If you put two on then it could easily last 10-15 hours. I don't really like the auto sensor for light but you can still turn up the brightness. It is very light and the only weight will come from the battery.It has two spaces for HDMI's and two battery slots. You can also run power to or from it. I recommend not doing that with the BMPCC4K as others have stated that the variability in the output/input could potentially damage your camera. So I would have one battery to power the monitor and one for the camera. Overall a great starter monitor.
Wish I had know about these before, I took some great shots outside in full sun in fresh blinding snow. I could see the screen no problem. Now I don't want to use my camera without it. No video just action shots and stills. On a Canon Eos R.
This was exactly what I needed for my Sony A7III. I wanted a screen for my clients to see themselves in front of them, versus having to come around to the camera. The only thing is that it will not show the preview pic in the camera and monitor at the same time. You'll have to unplug the monitor in order for it to show as a preview. But prior to taking the picture, it shows on both screens! Amazing screen regardless and very bright!!!
The monitor comes with an L-bracket which has a cold-shoe mount so can mount directly onto your camera, but bare in mind that whilst the monitor isn't overly heavy, it does become weighty when used with batteries, so would advise a suitable camera cage should you be moving around whilst filming to relieve any stress on the camera. I've only been using this whilst static (camera on tripod) so I have no need for a cage.Once mounted, it's literally "Plug in
Great for outdoors shooting with direct sunlight.I purchased this monitor because I wanted a very bright monitor for outdoors shooting that supports LUTs at an affordable price, as other monitors with such brightness are way more expensive.The monitor is excellent for this job. The 2200 nit it gets are enough to shoot under direct sunlight with no hood.Quality of the panel is very good. It has nice colors and contrast, with settings to adjust saturation, hue, temperature, etc.The touchscreen is very responsive with no lag and you can use it to get quick shortcuts right from the screen, such as adjust brightness and volume and get to the main menu. There's a great variety of monitoring tools to use, all placed in a nice menu. Loading the LUTs you use is done through SD cards (you must format it at FAT32).It has three buttons on the top which can be assigned with various shortcuts. Great usefulness while shooting and you don't want to waste time.Construction and build quality is very good for the price, but you should be careful not to drop it since it has a plastic body.The tilt/swivel arm is very helpful for adjusting the monitor to the angle you want with one hand. Also, it comes with all types of HDMI in the package, so you won't need to buy a new one.Some other features: the twin batteries are hot swappable, it has a sensor for auto adjusting the brightness, you can passthrough the HDMI signal, and it has an indicator for the battery capacity (which is quite rare).The biggest con is that it gets quite hot when the brightness is set to high levels.After 2 months of using it I am very satisfied with the product. It's a great value for it's price, and using it during a shooting is a great experience since it's a very practical tool. Outdoors shooting in the sunlight is no longer a problem.
Not only does the size make it easier/beneficial to view what you're shooting, but the brightness levels is superior; there's a reason why this one doesn't need to throw in any cheap sunshades in the package.This also has better packaging with extra battery and everything ready to go for you.And it's touch screen so you can pinch zoom.You have your zebra, focus assists, and what I love is the anamorphic framing options.
I mainly wanted this monitor to have something to use for framing/exposure while I'm filming myself with my Sony A7III. My camera doesn't have a flip screen, so it's difficult to check for focus while you're filming and composing.The touch screen is super responsive. It reminds me of my iPhone. Also being able to swipe up from the bottom to activate a menu is a neat feature.This monitor is way sharper than the back of my camera using the 4k input to the display. The A7III is known for not having the best resolution on its screen and EVF, but the C7 helps out so much when it comes to checking focus.I love the 180 degree swivel feature. It allows for filming from both in front and behind the camera. There is a function in the camera to flip the display vertically so everything is right way around when in front of the camera.The main reason I went with this monitor is because I live in Alaska and the winters can be super bright with everything being covered with snow. This handles the bright sun very well!
I live at the beach in Florida where the Sun is bright so I need a monitor with a lot of NITS, and with 2200 nits nothing beats the C7
Andycine has gone out of their way to make a truly spectacular monitor add for camera shoots! It is high-quality material, and yet lightweight enough to be almost unnoticeable when you put it on as an add to your gear. It really adds another layer to your shoot when you add a larger monitor! The brightness and intensity of the screen image means you can shoot pretty much any time of the day without having to shade the screen at all.It has a lot of bells and without that add value to this monitor as well. Besides the inclusion of an SD slot, it has both the touchscreen *and* programmable buttons, so you can work and use it in whatever way works best for you. I end up using both, dependent on what and how I am shooting!